25 Apr 2015

Bruckner - Ave Maria

Devote

What kind of a person was Anton Bruckner?. Mahler describes him as half an idiot, half a genius. Very devote, falling in love with teenage girls even at higher age, keeping a photo of his dead mother (as he had no photo from her still alive....). It indeed pictures a remarkable man. Also an insecure man it looks like when it concerns his work. For most of his symphonies we know of many re-writes as Bruckner wanted to please his critics of whom there were many. 

Max Kalbeck, a friend of Brahms wrote in the Wiener Allgemeine Zeitung, February 13, 1883:

The tonal ghosts are altogether too mad: it is as though a pack of wolves met on Walpurgis Night, such stamping and roaring, raging and screaming goes wildly on. If the future can relish such a chaotic piece of music, with sounds echoing from a hundred cliffs, we wish that future to be far away from us.

Where Bruckner had no struggle was with his devotion to God: he believed. Where we see in Mahler searching for God in Nature and in himself and going from assurance to doubt, Bruckner sang of his God and for his God. His 9th symphony was dedicated to God and he hoped He would grant him the time to finish it. Which didn't happen as he had to leave the work unfinished.

Bruckner studied intensively the music of Palestrina and Bach and after working as an organist at the court of Vienna and taken over from his teacher Sechter his professorship at the Vienna Conservatory, he spent his final decades creating his nine symphonies. These symphonies are sometimes refer to as "cathedrals of sound". Mahler expands the scope of the symphony even further - he famously argued with Sibelius that a symphony should contain the universe. - and he created an unmistakably modern musical language by including sounds from the ‘outside world’, using cowbells, military band music, uncommon wind instruments, mandolins and guitars, even vocal soloists and chorus

My choice here is not for one of these complex symphonies but his motet Ave Maria. The work dates from 1861 and features three parts for female and four for male voices. Witzenmann links Bruckner's Ave Maria to four motets of Palestrina one being the Stabat Mater. 


Close your eyes when listening!

http://player.qobuz.com/#!/track/7744169





No comments:

Post a Comment